It’s been a while since I last posted – but that’s not to say I haven’t been busy… There’ve been several further books that I’ve been unable to shout about until they were finished (The Call of the Wild – Miles Kelly Publishing) or published (Feathers for Peacock – Wisdom Tales – to be on bookshelves April 2016).
Miles Kelly have graciously let me post about ‘The Call of the Wild’ – an 8 month project that finished finally this Monday. The classic American novel by Jack London tells the story of Buck, forced to work as a sled dog in the harsh but beautiful snowy wastes of 1890’s Yukon during the gold rush. He eventually hears the call of the wild and escapes to recognise it in his own heart…
Jack London himself travelled to the Yukon, living in tents and working with dog teams. The novel is full of details of the brutality both men and dogs tolerated and it’s clear much was based on real life experience.
I find it strange that I am attracted to tales set in cold places, of snow and ice, of dogs and sleds. This will be the fifth book – the others being the ‘Inuk Quartet’ and ‘Fireside Tales’ (Barefoot Books). The author of the Inuk Quartet, Jorn Riel, also lived and studied in the snow but with the Inuits of Greenland. I too, had my own dog sled adventure above the Arctic Circle a few years ago, mushing my team of three through the dim starlit midwinter days in the awesome silence of the snow. Perhaps that is the seed of my fascination.
Working on ‘The Call of the Wild’ was pretty challenging. Many of the images depicted dogs fighting, being starved or beaten which meant researching some difficult subjects. I use photographic material researched online to help inform my drawing and there were images I found that I wish I hadn’t had to see. Drawing requires intense observation and I had to stay with those photographs for many hours.
Obviously, the photographs or pictures are reference material; to be adapted and used to create something new. I would never simply copy them – they help me understand for example, how muscles work or which direction dog hair lies.
Of course I loved the historical research, however. Like the ‘Inuk Quartet’, ‘Call of the Wild’ took me to places and times I hadn’t known about and I learnt a lot. Details of clothes, of canvas tents, of harnesses and sleds became my world for a good part of the year.
Fittingly, the project ended in the dark days of the British winter – somehow it has felt like one of the gloomiest winters in years. I had been working some long hours and began yearning for some blue skied wilderness of my own – perhaps that was the sound of the call of the wild itself. But days spent hunched over a table with a light box, battling bronchitis and listening to the rain blowing off the sea are over now and an early Spring is on its way.
I’ll look forward to seeing the published book out around August when the cold days will be long gone… And perhaps it will inspire others to listen for the call of the wild themselves.